![]() ![]() ![]() The mix, at least, is a ball-a high-energy highwire act that pirouettes along the line dividing bass music from hyperpop. Given that the duo’s members remain anonymous, there’s no way of knowing for sure, but the two people on stage sure acted like ringers. (For a dead giveaway, just watch the levels on the mixer when the camera switches to an overhead shot: They’re frequently seen tweaking the EQ on channels that no sound is passing through.) Not only that, but it’s been rumored that the two figures dressed in ridiculous getups-Halloween headwear, bug-eyed sunglasses, a burglar’s stocking face mask-aren’t Two Shell at all. For one thing, they appeared to be pantomiming to a pre-recorded mix. UK duo Two Shell’s Boiler Room appearance at Primavera Sound in June quickly became the year’s most controversial DJ set. ![]() By the time that extended passage, which also runs through a Jim O’Rourke remix of Japanese noise legend Merzbow, spills out into Rhythm & Sound’s buoyant dub techno, it’s hard to imagine her selections playing out any other way. Many of her picks are unorthodox-this is surely the first time that Rosalía has ever been mixed with the late Editions Mego founder Peter Rehberg-yet Owens’ tonal sensibility carries the day. A similarly experimental spirit fuels her Resident Advisor mix, which opens with ghostly a cappella by the 11th century mystic Hildegard von Bingen before plunging into eerie soundscaping from Bernhard Günter, Throbbing Gristle, and Steve Roach the set’s second half winds through ritualistic percussion and soot-smeared techno before a climax that smokes like a burning subwoofer. Conceived as the imaginary eighth album in her discography-in fact, it’s the third-it finds the Welsh musician abandoning her usual hallmarks in favor of stark, industrially tinged beats and ominously looped vocals. Kelly Lee Owens spent the first seven or eight years of her career striking a careful balance between clean-lined techno and atmospheric electronic pop, but she took a sharp left turn with this year’s LP.8. SOUNDCLOUD DOWNLOAD DISAPPEARED FREEIf you happen to need help with anything or just have a general question feel free to message me, I guarantee to reply within 24 hours, usually within 6-12.This content can also be viewed on the site it originates from. NEW If you would like a video made for a song you've made you can message me on here to request one. There is also a template for anybody wishing to use a artists music in their video, this will simply go in the description of your video. How You May Obtain The Music:(Is it directly downloadable from soundcloud, do you want them to contact you, do you have a site they can download it from?) Permissions:(What sites they may use the music in videos on, Youtube/Instagram/etc) Preference: (Is it a single song(s) you're allowing for use, a album or the entirety of your works.) There is a simple format to use when posting, and we ask that only artists post to this thread, any posts from video makers requesting music will be removed to keep it simple. The previous threads still exist and can be found here. This is a place where artists from SoundCloud can give permissions for YouTube/and/or other video makers to use their music in their videos, in order for artists to get further known and/or recognised.Īs you may have noticed, this is a continuation of the previous megathreads. ![]() Before we get started let me say, welcome to the Soundcloud/Youtube Artists Permissions thread v3. ![]()
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